BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:932@keepkarlsruheboring.org SUMMARY:Author & Punisher + Fange + Valborg DTSTAMP:20260423T104559Z DTSTART:20260418T180000Z DTEND:20260418T200000Z DESCRIPTION:°°°INDUSTRIAL METAL KOMPLETTABRISS°°° Einlass: 20 Uhr Beginn: 2 1 Uhr // AK 30€\nMukke: // // After celebrating 20 years since the incepti on of 𝗔𝗨𝗧𝗛𝗢𝗥 &\n𝗣𝗨𝗡𝗜𝗦𝗛𝗘𝗥 in 2024\, founding composer\, vocalist and mechan ical engineer\nTristan Shone embraces the project’s broadest scope to-date with Nocturnal\nBirding. In addition to the strong and poignant messaging contained throughout\nthe music\, lyrics and artwork\, Nocturnal Birding sees Tristan Shone synergizing\nwith an array of artists from across the g lobe like never before in his career.\nFrom the artwork\, meticulously des igned by French artist Lucile Lejoly (Chat\nPile\, Roadburn Festival) to t he mixing and mastering by Will Putney (Knocked\nLoose\, Heriot\, Body Cou nt\, Machine Head) to the musical guest appearances from\nFrance’s Fange\, Indonesia’s Kuntari\, and New York City’s Megan Oztrosits of\nCouch Slut\ , these outer creative inputs shine throughout the work. Shone has\nwelcom ed collaborators in the past\, but guitarist Doug Sabolick (Ecstatic\nVisi on\, Plaque Marks\, A Life Once Lost\, etc.) is the first genuine bandmate in\nAUTHOR & PUNISHER contributing creatively on guitar in ways that shap e the\npersona of Nocturnal Birding\, complementing Shone in melody and wr ought tonal\nheft. Removing himself from an artistic comfort zone proved f ruitful\ninspiration. There is literal birdsong all over Nocturnal Birding \, and\ntransposing those melodies and rhythms to guitar became the root o f the\nmaterial\, representing a rare coming together of the natural world and\nmechanized sounds.\nxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx\nSince their formation in 2013 in Br ittany\, France\, 𝗙𝗔𝗡𝗚𝗘 has consistently\nrefined their abrasive\, genre-d efying sound. Initially rooted in sludge\, early\nalbums like Purge (2016) and Punir (2019) showcased a raw\, unrelenting blend of\ndeath metal riff s\, noisy textures and visceral vocals. Over time\, the band\nswitched to drum machines and amplified their noise/industrial influences\, as\nseen o n Pudeur\, Poigne and Pantocrator (all three released during the pandemic) \,\nredefining their own rules of what punitive music could be. This evolu tion has\nbeen fueled by a mindset of permanent reinvention\, merging oppr essive wall of\nsounds with eerie\, cold melodies —a matured vision reflec ted in their acclaimed\nlater works\, Privation (2023) and Perdition (2024 ). Over the past couple of\nyears\, FANGE has embarked on extensive Europe an tours alongside extreme music\nmainstays such as Ulcerate\, Imperial Tr iumphant\, and Ken Mode. They've also\nappeared at renowned festivals such as Arctangent\, Motocultor\, or Mystic\nFestival\, performing over 80 sho ws across Europe alongside a diverse array of\nheavy bands—ranging from sh oegaze to metallic hardcore\, noise rock to\navant-garde extreme metal\, c ementing their reputation as a spectacular live act.\nDespite their tourin g schedule\, the band maintains a prolific pace\, channeling\ntheir creati ve effervescence by releasing new material on an annual basis.\nxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx x\n𝗩𝗔𝗟𝗕𝗢𝗥𝗚 were conceived in the German City of Bonn in 2002 and have alwa ys\nbeen willing to experiment\, shift boundaries\, and while always remai ning true to\ntheir harsh and sinister musical core\, the Germans have nev er stuck to one\nparticular musical box while consciously avoiding to beco me trapped in a\nstylistic pigeon hole. As a result many stickers have bee n applied to their\nsound: doom\, blackened death metal\, industrial among others. On their new album\nentitled "Der Alte" ("The Old One")\, VALBORG take a rather reductionist\napproach. Their new tracks are deliberately k ept short\, making use of simple\nstructures\, brutal\, while making use o f extreme vocals and their trademark\nlambasting and relentless drum beat. Aided by LANTLOS-mastermind Markus\nSiegenhort\, who took on all producti on roles\, VALBORG have opted for a raw and\nunpolished sound that relies heavily on the guitars as all keyboards have been\nditched on this album. Audible influences include all of the band's metal\naspects but also add e lements derived from punk and wave for example. The result\nof this simpli fication process are hard-hitting tracks that still maintain a\ndark cinem atic quality and construct threatening nightmare scenarios within\ncosmic dimensions\, which fits the Germans' lyrical themes that explore the\nmadd ening horrors awaiting in the abyss of outer space\, xenomorphic manipulat ion\nand apocalyptic visions that are often referring to and sometimes tak en from the\ncanon of modern science fiction literature. URL:https://keepkarlsruheboring.org/event/author-and-punisher-fange-valborg GEO:48.989;8.37185 LOCATION:P8 - Schauenburgstraße 5\, 76135 Karlsruhe STATUS:CONFIRMED CATEGORIES:karlsrunruhe,test X-ALT-DESC;FMTTYPE=text/html:°°°INDUSTRIAL METAL KOMPLETTABRISS°°°
Einla ss: 20 Uhr
Beginn: 21 Uhr
// AK 30€
Mukke: // //

After celebrating 20 years since the inception of 𝗔𝗨𝗧𝗛𝗢𝗥 & 𝗣𝗨𝗡𝗜𝗦𝗛𝗘𝗥 in 2024, fou nding composer, vocalist and mechanical engineer Tristan Shone embraces th e project’s broadest scope to-date with Nocturnal Birding.
In addition to the strong and poignant messaging contained throughout the music, lyric s and artwork, Nocturnal Birding sees Tristan Shone synergizing with an ar ray of artists from across the globe like never before in his career. From the artwork, meticulously designed by French artist Lucile Lejoly (Chat P ile, Roadburn Festival) to the mixing and mastering by Will Putney (Knocke d Loose, Heriot, Body Count, Machine Head) to the musical guest appearance s from France’s Fange, Indonesia’s Kuntari, and New York City’s Megan Oztr osits of Couch Slut, these outer creative inputs shine throughout the work .
Shone has welcomed collaborators in the past, but guitarist Doug Sabo lick (Ecstatic Vision, Plaque Marks, A Life Once Lost, etc.) is the first genuine bandmate in AUTHOR & PUNISHER contributing creatively on guitar in ways that shape the persona of Nocturnal Birding, complementing Shone in melody and wrought tonal heft.
Removing himself from an artistic comfor t zone proved fruitful inspiration. There is literal birdsong all over Noc turnal Birding, and transposing those melodies and rhythms to guitar becam e the root of the material, representing a rare coming together of the nat ural world and mechanized sounds.
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Since their formation in 2013 in Brittany, France, 𝗙𝗔𝗡𝗚𝗘 has consistently refined their
abras ive, genre-defying sound. Initially rooted in sludge, early albums like Pu rge (2016) and
Punir (2019) showcased a raw, unrelenting blend of death metal riffs, noisy textures and
visceral vocals. Over time, the band s witched to drum machines and amplified their
noise/industrial influence s, as seen on Pudeur, Poigne and Pantocrator (all three released
during the pandemic), redefining their own rules of what punitive music could be . This
evolution has been fueled by a mindset of permanent reinvention, merging oppressive wall
of sounds with eerie, cold melodies —a matured vision reflected in their acclaimed later
works, Privation (2023) and Perdition (2024).
Over the past couple of years, FANGE has embarked on extensive European tours
alongside extreme music mainstays such as Ulce rate, Imperial Triumphant, and Ken Mode.
They've also appeared at renow ned festivals such as Arctangent, Motocultor, or Mystic
Festival, perfo rming over 80 shows across Europe alongside a diverse array of heavy
ba nds—ranging from shoegaze to metallic hardcore, noise rock to avant-garde extreme
metal, cementing their reputation as a spectacular live act. De spite their touring schedule,
the band maintains a prolific pace, chann eling their creative effervescence by releasing new
material on an annu al basis.
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxxxxxxxxxxxxxxxxxx
𝗩𝗔𝗟𝗕𝗢𝗥𝗚 were conceived in the German City of B onn in 2002 and have always been willing to experiment, shift boundaries, and while always remaining true to their harsh and sinister musical core, the Germans have never stuck to one particular musical box while conscious ly avoiding to become trapped in a stylistic pigeon hole. As a result many stickers have been applied to their sound: doom, blackened death metal, i ndustrial among others. On their new album entitled "Der Alte" ("The Old O ne"), VALBORG take a rather reductionist approach.
Their new tracks ar e deliberately kept short, making use of simple structures, brutal, while making use of extreme vocals and their trademark lambasting and relentless drum beat. Aided by LANTLOS-mastermind Markus Siegenhort, who took on all production roles, VALBORG have opted for a raw and unpolished sound that relies heavily on the guitars as all keyboards have been ditched on this a lbum. Audible influences include all of the band's metal aspects but also add elements derived from punk and wave for example. The result of this si mplification process are hard-hitting tracks that still maintain a dark ci nematic quality and construct threatening nightmare scenarios within cosmi c dimensions, which fits the Germans' lyrical themes that
explore the maddening horrors awaiting in the abyss of outer space, xenomorphic manipu lation and apocalyptic visions that are often referring to and sometimes t aken from the canon of modern science fiction literature.
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